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Thursday, March 29, 2007  
So-Called "Godly" Music

Slacktivist links to a slightly disturbing YouTube video: Satan's Tool: The truth about contemporary Christian Music. In this sermon, courtesy of Alan Ives, Music Minister of Wyldewood Baptist Church in Oshkosh, Wis., we learn:
  • God only likes conservative, "safe" (i.e. somewhat boring) melodies.
  • Only straight 4/4 time with a strong downbeat is godly. Syncopation is clearly of the devil.
  • Rock music is bad. As is just about all Latin music and most jazz (the rhythm is way too fun).
  • Dancing is evil.
There are so many things wrong with Ives's sermon I'm not even sure where to start. One of the really sad things about his message, as Slacktivist points out, is that Ives seems competent on each of the three instruments he plays (OK, he does play piano using one finger from each hand for a while, which drives the classical musician in me nuts) and has enough knowledge of the musical styles he condemns to make it clear that he enjoys this "evil" music.

People like Ives seem completely ignorant of the history of church music and, sadly, the Bible. Many hymns that now seem sedate borrowed melodies from the secular music of their day. The tune for "O Sacred Head Now Wounded" was originally a medieval love song. (Apparently the legend that Luther and the Wesleys used drinking songs as a source for melodies is false.) Throughout his sermon, Ives repeatedly claims that music is bad if it "makes the body want to dance." But dancing is often seen in the Bible, and it's frequently reported as a good thing. Dvora Lapson writes: "[King David in I Sam. 6:14] not only danced, sahaq, in the ordinary sense of the word, but rotated karar, with all his might (verse 14); jumped, pazaz (verse 16); whirled around, hul; and skipped, raqad. The dance was an expression of spiritual ecstasy."

I hate to say this, but Ives is very obviously, well, white. I suspect you'd be hard-pressed to find an African-American or Latino pastor claiming that only "marches" in 4/4 are acceptable to God--gospel music frequently plays with rhythm, and so much Latin music is a rhythmic challenge. I'd also be willing to bet that if Ives listened to the Jewish music of Biblical times he'd declare it ungodly--their tonal modes were based on quarter-tones (essentially this means that they'd be sliding in-between notes on our scale), which surely wouldn't fit his conservative musical style. Sacred music did not begin and end with the classical European composers.

Obviously I should book my next gig at his church. I'll be in Oshkosh next month.

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